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Daniel Fernandez's
FLIGHT NUMBERS
Praise for Flight Numbers:
With elegant grace, Daniel Fernandez writes narrative poems, sonnets,
sestinas, and lyrics, many about love and nature. Steeped in the musical
traditions of poetry, his ear is fine-tuned. Drawn to the classics
for his allusions and metaphors, his writing expresses a longing for order,
reason, beauty, and integrity. His images are honed and polished like
precious gems set in a solid framework of traditional forms he resourcefully
makes his own. “The New Funambulist,” his ars poetica, is a testament
to the immense resourcefulness and adaptability of his poetry to contain
an ever-changing world. “No more at war with new technology nor the
discordant mimic of machines” but “Smooth as an escalator’s rising curve”
and “Triumphant as a mocking bird on a wire/Ever retuning his ecstatic lyre.”
He’s written how the tantalizing erotica of pop culture is burning us “to
enter Plato’s cave-like realm/Where in the dark unreels the unreal film.”
His writing expresses a spiritual quest.
—Gayl Teller,
author of One Small Kindness .
Flight Numbers is the work of a rich and skeptical mind. Among
its recurring themes are history, classical mythology, contemporary urban
life, and nature. In “Columbus’s Eclipse,” a compelling dramatic monologue
in blank verse, Fernandez recounts a crucial episode in one of Columbus’s
expeditions to the New World. In “The Judgment of Paris,” “Hera’s Revenge,”
and “Ode to Venus,” he interprets mythological figures as symbols of forces
within the human psyche, a Jungian insight. When reading poems like
“Civilization and Times Square,” “Bronx Bus,” “July the Fourth,” and “1984,”
one detects the poet’s alliance with T.S. Eliot, Aldous Huxley, and George
Orwell in their indictment of our materialistic, technological society.
Fernandez seeks consolation in nature, as in “Autumn Fragments,” “Fragile
Objects,” and “The Butterfly Trees.” The author writes in a variety
of metrical forms, and employs innovative rhyme schemes. Flight
Numbers is a rewarding book, an intrepid artist’s attempt to lend artistic
form to the chaos of experience.
—Alfred Dorn
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